Müller & Schade| Name | Year | Instrumentation | ![]() |
| 6.38 | 2008 | ob, pno, perc, vl 1+2, viola, violoncello and double bass | 6'38" |
| Blender | 2008 | ob, pno, perc, vl 1+2, vla, vlc and double bass | 4' |
| Per Alea Ad Alta | 2008 | harpsichord and organ | 5'20" |
| Per Alea Ad Alta | 2008 | 2d1, 2d1, 2d1, 2d1 - 2, 2, 2, 1, timp, 3 perc, celesta, harp, strings | 15' |
| Per Alea Ad Alta | 2008 | ob/cor anglais, pno, perc, vl 1+2, viola, vlc and double bass | 5'20" |
| Recycle | 2008 | ob, pno, percussion, vl 1+2, viola, vlc and e-bass | 4' |
| Consenso | 2008 | countertenor, baritone, ob/cor anglais, organ, perc, vl 1+2, vla, vlc and double bass | 14' |
| El Lied | 2008 | ob/cor anglais, pno, perc, vl 1+2, viola, violoncello and e-bass | 4'30" |
| White Coffee | 2008 | countertenor, baritone, ob/cor anglais, pno, perc, vl 1+2, vla, vlc u. double bass |
6' |
| Blender Saw Tin and Rock | 2007 | electroacoustic | 3'57" |
| Per Alea Ad Alta | 2007 | electroacoustic | 5'12" |
| Klostervesper 1 | 2007 | electroacoustic | 16' |
| White Coffee | 2007 | electroacoustic | 6'27" |
| Die Stadt erwacht | 2005 | countertenor, bass-baritone, cor anglais, piano, vl 1+2, vla, vlc and double bass |
9' |
| Scherzondo | 2004 | alto saxophone and string orchestra | 12' |
| Inspektor, 5/8 im Elysium, Helium and Wellenschlag |
2003 | synthesizer, soprano-, alto-, tenor sax, drum set and vibraphone | 10' |
| Wiener Liebe | 2003 | countertenor, bass-baritone, cor anglais, piano, vl 1+2, viola, vlc. and double bass |
6'44" |
| Stück für viola | 2002 | viola | 4'30" |
| Soliloquium | 2002 | alto saxophone | 5' |
| Affe and Wesen | 2001 | piano | 6' |
| Affe and Wesen | 2001 | 2, 2, 2, 2 - 2, 2, 2, 1, Timp, Str | 6' |
| Battaglia | 2001 | countertenor, cor anglais, organ, piatti antichi (played by the organist), violin 1+2, viola, violoncello, double bass | 17' |
| Der Federkopf | 2000 | bass-baritone, cor anglais, piano, vl 1+2, viola, vlc and double bass | 4'56" |
| Triosomie | 1999 | oboe, violin and double bass | 2'5" |
| Das Brot ist aufgegangen | 1999 | violin, viola and violoncello | 4'38" |
| Hybrid in A | 1999 | 4 sax, 4 trp, 4 pos, e-git, e-bass, drums, piano | 9' |
| Sicerto | 1998 | string orchestra | 11' |
| Sommerszene in Gelb | 1997 | trumpet, e-git, drum set, viola, violoncello and double bass | 6' |
| Filmmusik zu Beobachtungen im Bahnhof |
1996 | piano, snare-drum, glockenspiel | 3' |
| Stück für Cello | 1996 | violoncello | 2'50" |
| Die Befürchtung wird wahr | 1995 | clarinet, basset horn and bass clarinet | 3' |
| SM-Ländler | 1994 | marimba, e-git, drum set, vibraphone, melodica and e-bass |
4' |